The Art of Callum MacDougall (Iron Nid)

The concept series is my schizophrenic attempt to shine light on the art that inspires me. I always do some of my best work when working from concept sketches. I find the hard lines and white space conducive to creation as they give you just enough definition to get you going, while still leaving space to do your own thing. Here's hoping you find these sketches as helpful and inspiring as I do.

Callum MacDougall's (Iron Nid) concept for a Swarmlord. Sure, it's just a head, but I think it does a great job of marrying the current Tyrant design with the Aliens-rip-off-Queen head of the 3rd Edition Tyrant model.

I think that the aspect I love most about the Tyranid community that has sprung up around Warpshadow.com over the years is the artistic bent of the majority of our members. Sure, there are Tyranid tactical geniuses around, but I focus the majority of my attention on the Modeling and Painting section of the forums. That focus has meant that I've stumbled across some pretty awesome, innovative Tyranid designs over the years. And, now that we've got the "big guns" like Goodwin and Cirillo and Vermis out of the way, I figured it was about time for the Concept Series to focus on some up-and-coming artists.

Iron Nid's Doom of Malantai concept sketch. An important aspect of it was his idea that the Doom would move by slithering through the air, held aloft by its massive psyker abilities.

This week, I'm posting up a few sketches by Callum MacDougall, who goes by the handle "Iron Nid" on the Warpshadow forums.

The Art of Robert Cirillo

The concept series is my schizophrenic attempt to shine light on the art that inspires me. I always do some of my best work when working from concept sketches. I find the hard lines and white space conducive to creation as they give you just enough definition to get you going, while still leaving space to do your own thing. Here's hoping you find these sketches as helpful and inspiring as I do.

For this week's installment of the Concept Series, we go with an obvious choice: Roberto Cirillo. This talented artist was contracted by Games Workshop to churn out a pile of concept sketches for the 4th Edition Tyranid release, and in an unprecedented move, the company posted a gallery of what must have been every sketch Cirillo did. In the interest of making sure that Gallery of Tyranid Win isn't lost to Tyranid Hobbyists, I'm reposting it here.

The Art of Warren Beattie

The concept series is my schizophrenic attempt to shine light on the art that inspires me. I always do some of my best work when working from concept sketches. I find the hard lines and white space conducive to creation as they give you just enough definition to get you going, while still leaving space to do your own thing. Here's hoping you find these sketches as helpful and inspiring as I do.

This is the second installment in the Concept Series: a recurring feature here meant to showcase the concept sketches of both professional and amateur Tyranid artists. When it comes to converting and creating new Tyranid organisms, I have yet to find a better source of inspiration than the concept sketch. The goal of this series is to make sure this work is visible, allowing converters and kitbashers to get new ideas for diversifying their swarms.

We started the series off with an artist as professional as they come: Mr. Jes Goodwin--a man who has been defining the Tyranid aesthetic since Andy Chambers was called The Great Devourer. This week, we switch tracks to an amateur artist (in that he is not employed by GW), and as the series progresses, it will feature many more amateur artists. However, the decision to start with Warren Beattie was a conscious one as he was the first to ever pop up on my radar, and he may be one of the finest amateur, 40k-related artists I have ever run into.

"Warren Beattie" is probably a name you've never heard, and it's only marginally more likely that you've heard the forum handle "Vermis." It's more likely that you may have run across this sketch somewhere along the way:

Or, perhaps, this version that he coloured up for Hive Fleet Moloch:

The Screamer Killer rides again

To build up some content on the site, I'm going to be posting a few of my past projects that were kind of like milestones in my development as a sculptor. I'll call them "Old Strains," and you can feel free to check them out if you're curious.



The classic Jes Goodwin pewter Carnifex/Screamer Killer has always inspired me. When they look at it these days, most people see an oddly constipated-looking beast intent on giving someone a big hug with those curvy arms of his. However, when I look at the thing, I see the model that first got me into Tyranids specifically, and Warhammer 40K in general, back in the mists of second edition. It also reminds me of the black-and-white sketch that greeted me when I first opened the Tyranid codex all those years ago:

From Plastic Screamer Killer

Though I love the pewter Screamer-Killer, and I still field them to this day (well, on the few occasions when I actually play), I’ve always felt that there was so much more potential in that sketch than the rudimentary casting processes GW used to use could ever truly capture.

The Art of Jes Goodwin

This is meant to be the first instalment of a recurring series that will showcase particularly talented artists who have lent their pencils to the Tyranid cause. I've been a fanatic for concept sketches ever since I--then a child--watched my best friend's older brother come up with sketches for the characters he was running in AD&D/Rifts. When it comes to converting and creating new Tyranid organisms, I have yet to find a better source of inspiration than the concept sketch.

And, if I'm going to profile some artists who have produced good, inspirational Tyranid artwork, what better place to start than with the man who, pretty much, set in stone the idea of what a Tyranid should look like: Jes Goodwin.

Redux: Tyranid Dominatrix from a Hierodule

To build up some content on the site, I'm going to be posting a few of my past projects that were kind of like milestones in my development as a sculptor. I'll call them "Old Strains," and you can feel free to check them out if you're curious.


First up, I would be remiss if I didn't credit my Hobby Brother, Hydra, for being the first person ever to convert a Tyranid Dominatrix from a Forgeworld Hierodule. Go see his original work, though he wrote that article about 12 years after he created the original!

Having learned from the work I'd done on Ross'/Accommodator's original Dominatrix, and having improved a bit through practice over the time in between, I endeavoured to take ANOTHER stab at the idea of creating a modern Tyranid Dominatrix from a Forgeworld Hierodule model. The project was another one that was sponsored by Moloch, and, when all was said and done, it would be he who would put his brush to it. With this in mind, and having seen the fantastic treatments he'd given the Dactylis and Exocrine, I was well motivated to go above and beyond on this Dom.

The Infestation of Casavant Prime

To build up some content on the site, I'm going to be posting a few of my past projects that were kind of like milestones in my development as a sculptor. I'll call them "Old Strains," and you can feel free to check them out if you're curious.



With my budding work on Tyranid Scenery from scratch coming along, I was asked by some friends in Toronto to breathe some Tyranid life into their table build for Games Day Toronto 2008. These guys had been bringing original tables to Games Day for a couple of years, and the previous year their extensive trenchwork table had been beaten out by a PC speaker and a smoke machine. This year they were determined to bring the pain to their long-time table nemeses.

The meat and bones of the table were actually constructed by the original build team and took the form of a cityscape with a canal running down the center, and me, Accommodator, and our creative ilk were given free reign to add some flare to the cityscape by transforming it into one that was in the beginning stages of a full-blown Tyranid infestation. I jumped at the opportunity to have a focus for my until-now-largely-aimless Tyranid scenery building.

Dactylis - Project De-Sluggify 2.0

To build up some content on the site, I'm going to be posting a few of my past projects that were kind of like milestones in my development as a sculptor. I'll call them "Old Strains," and you can feel free to check them out if you're curious.

Though I initially created the Exocrine for Moloch (hence his applying his brush/scheme to the beast), due to certain matters of sentimentality and friendship, he gifted the finished model back to me. However, we made the exchange with the understanding that I would create him an even better version of a Carnifex-sized gunbeast to make up for the lack of Exocrine. For our next tandem effort, I would move on to the next Tyranid beast from the old Epic line that I hoped to DeSluggify: The Dactylis.

Mycetic Spores

One of the biggest chips out of my shoulder when it comes to Tyranid design is the way that the concept for Mycetic Spores/Tyranid Drop Pods has been mailed-in ever since it first came about with the Tyranid Seeding Swarm list back in White Dwarf and Chapter Approved 2004. Bitchy or not, I have never seen a model for a mycetic spore that I could love, and that's mostly because they all wind up looking like the same, bloated, rugby-ball-/coconut-inspired Tyranid fleshbags. Space Marines get these sexy, tapered drop pods that open up like flowers of death upon impact. Tyranids get exploding fleshbags.

Not. Cool.

It was with this niggling annoyance in mind that I set out to come up with an aerodynamic, lithe, distinctly Tyranid-looking design for a mycetic spore.

Tyranid Atmospheric Procressors

To build up some content on the site, I'm going to be posting a few of my past projects that were kind of like milestones in my development as a sculptor. I'll call them "Old Strains," and you can feel free to check them out if you're curious.





These Tyranid terrain items were conceived 'round about the same time that I was working on the Tyranid barricades I detailed previously. I wanted to find a way of not just making Tyranid scenery but also a means of representing the diverse structures and creatures that may be present on a world that was being Tyranoformed/gutted for its natural resources. One idea I had (largely inspired by the shape and material of the plastic orange containers) was for balloon- or blister-like growths on the surface that would process the air in the atmosphere. They would expand to fill themselves with nice clean air, but when they contracted they would spew out a toxic, infectious fume teeming with microscopic Tyranid phage organisms.